So here we are, my last week at my current gig.
Seems about right. Ready for the new challenges.
Been a while since I’ve done one of these.
As regular visitors to this little popsicle stand know, I’ll be teaching at the University of Minnesota Morris starting this fall. I’m quite excited about it, and have already been planning my first semester there. I’m about to completely overhaul how and what I teach; it feels good and right.
In addition, I am told by future colleagues that there may be a few performance opportunities. Put simply, I think I may be on the verge of forming a new tuba-euphonium quartet. This makes me very happy, for as Berio (after Beckett) put it in the third movement of the Sinfonia for 8 voices and orchestra (a piece that I can finally start listening to again, only a year after finishing my dissertation), there’s “nothing more restful than chamber music.” I played in a quartet all through my undergraduate years as well as one year of my MM.
So here’s a question for any quartet players out there – what literature do you like? It has been over 15 years since I’ve regularly played, and I’m not up on the current rep.
…and all the “what global warming hurr durr” types come out.
I have done many things in my 39 years on this planet. Some have been dumb, some have been very dumb, and some have been smart. This is in the top three of the latter.
(This has also been posted on my Facebook timeline. I’d like to bring it over here as well.)
One of the things I want to do at the new gig is get students writing earlier and more. I’d like to have them read some articles to get a sense of what academic writing in this discipline is all about, but I don’t want to throw them into the deep end. Can anyone recommend good articles (solid, good research and analysis shown) that are geared more toward people who are starting out in the field? I figure if they get used to this early on, they’ll have a better sense of how to write.
Some articles/books that have been suggested include Deborah Stein’s Engaging Music, Joseph Kerman’s Contemplating Music, Leonard Meyer’s Music, the Arts, and Ideas and Explaining Music, David Epstein’s Beyond Orpheus, David Lewin’s article “Figaro’s Mistakes,” and Edward T. Cone’s article “Three Ways of Reading a Detective Story – or a Brahms Intermezzo.”
As I’ve mentioned before, one of the nice things about moving is going through everything to determine what makes the trip. I’ve found a few things I had forgotten about, including a paper I wrote for my History of Theory class about the paradigmatic shift in instrumental instruction treatises in the 17th and 18th centuries.
If anyone wants to read it and offer comments, I have a .pdf of it. I think I might actually be able to expand it into a small article.
Still thinking about those Beethoven thoughts from the other day, and there might be the beginnings of an article or book chapter in there.